Bone , spine , DNA , unstable, motion,
Cartalidge, invisible spacers , one figure different to the others , orange, represents solar plexus, connected to umbilical cord , genetics conditions, orange symbolism of connection to family , birth
52 pieces which link to my age
Hanging , suspensions, not supported, flexible, incorporating light,
How to hang, supported from what? Screw thread and bolts , light from what , how , make spacers , thread, plinth underneath ? Not touching , see someone about suspension? Matt, Natasha?
How it reads/viewed
Looks bone like , spine , DNA Helics, purity as white, aesthetically pleasing , piece in own right , light and movement
Small one meaning
Looks normal then collapses
Invisible to visible (disability) spine like body and bone , human form to relate to, empathy , show workings to invoke understanding of how it works
Interpretation, visually look
Small , figure, just white, dissected, stratospheres, elasticated, collapse, stand up, thing may be more complex than first sight?
Trial elastic, spring, or wind up figure, base , mechanism, acrylic , show workings , how to display , plinth? Instruction manual . Recovery position , educational- postcard-leaflet
Toy like connecting to play, recognise figure,
Medical, scientific. Aesthetic piece
No 2 big one
Dissected human form
Orange spinal discs fragmented, spinal no in sections , c1,c2 etc
Made into stacking toy
Oversized pill , list of drugs, prescription, wall chart , colour chart info leaflet
Hight , spacing of pieces, base of drugs , on Acylic rod,
Scientific, play, fragile , shocking ,
Movement , playfulness, simplicity, mechanical, industrial, handle, what on and handle give accessibility and permission soon to interact with sculpture , comfortable or uncomfortable?
Exercise spring, sequenced swimmers , dancers , on table ? Plinths , how accessible?
Signs symbols , use symbols distort meaning , accessibility crossed out Simone standing in chair?
Make handles out of Acylic to keep continuity, think colour or clear?
How they join is important attach well
Similar to skipping rope elastic noted and Acylic handle
How it’s seen
Curiosity, exploration, fear of breaking , unnerving, exhilarating , should u touch ? Expectation, permission do I have or not !
Figures collapsing off chair unable to stay on it
Relationship, supportive looking but not able to support body falling off ,
Colour of chair, pink happy upbeat , not serious, standard, body not upbeat
Chair represent how like to be seen instead of collapsing
Visually look like
Pink plastic average , cheap, trying to be upbeat nothing special not to serious easy to communicate , girly , not posh or expensive,,institution, pink self exeptance
Make loads of figure , pre construct sections , fire once full kiln before Easter
Acylic architecture structure
Falling collapsing, juxta position , collaborative
Day to day object
Messy? Uncomfortable, upsetting tutors , acceptable or not?
These are a couple of pictures of the St Mary Undercroft , the Chapel in Parliament which is private and used for the placing of ex prime ministers bodies before thier funerals, and special state occasions.
The main thing that impressed me was the plaque that Tony Benn placed in the broom cupboard to commemorate Emily Wilding Davison who hid herself illegally during the night of the 1911 census campaigning for votes for woman , she believed if she could hide all night she would then have to be recognised as living in the houses of commons. she died of injuries in June 1913 under the King’s horse at Epsom.
This woman has always been a hero of mine since a young girl and i felt honoured to be able to stand where she stood but also find that in politics these days how sad that world leaders are being so short sighted to treat woman in poor and denigrating way making me wonder how much still needs to be done in a world of injustice.
The other thing that stuck me was the exquisite workmanship that was done so many years ago in 1297, and looks incredible today.
it must be an inspiration to any crafts person today with such a high skill level of finish and intricate detail which was almost made me breathless to see.
In terms of how this has influenced my work , I have become less insular and considering and learning far more about how we engage as a nation and make rule, how politics is part of our life but we tend to disconnect and place blame rather than engaging more and learning to influence those practices.
I feel my work can have a voice, and it is important how I represent myself and others. Who and what I am talking about can have an influence. Writing can become a part of my creative voice and I feel my dissertation has influenced my work and visa-versa. which came about with the piece “are you alone or joining the party”. I intend to make some more pieces which are more politically influenced and have been granted a bursary to help fund my cost of materials for this from the Patricia Penn award.
This is a montage of the videos I have made in the last year. The videos all include either , yoga or silks.
I have made these videos to study movement , but in addition to this I have been studying balance the female form and also in 2 of the films I have used a theme.
Firstly surviving the NHS which allowed me to analyse my experience of hospital visits and tests to a more reflective and objective perspective, which not only helps me cope with these test, but relay a story and narrative in a creative and attractive way turing what could be seen as negative perspective into a positive on.the background to the shots are of all the medical procedures I undertook that year.
The second video , positive and negative, uses the same female image but is stylised in a very different way, she is more simplistic in a style similar to movie titles. Although it wasn’t my intention at the time I see that their is a resemblance to bond and Tales of the unexpected, which reveals and demostrates how all of our memories and experiences can influence our work subconsciously, even if not consciously chosen.
I made the early morning and evening practice videos for the purpose of using them as a basis for other work, I intend to make animation from these.
I made this film to play at a time when I was doing trapeze myself. I have always been fascinated by movement and flow of energy
I made this film to help me study the female body in movement as a research tool.
A follow on of the original film i made and produced for evening practice this has a different emphasis on getting reading to relax to sleep rather than energise to get on with the day as is the morning practice. Both of these films are a study of the body and energy rhythms.